Carter cut the length and then created a sultry graduated bob with a heavy fringe. A quarter-size amount of WIO was worked through her damp hair before blow-drying with a round brush for volume. Slush Gloss Drops and Light Mist hair spray created the perfect finishing touches for this smooth look.

Credits:

A Carter T. Lund Salon - Austin, TX (USA)

Hair: Carter T. Lund

To create this Bridgette Bardot (or 60’s Sex Kitten) inspired look, the team started with her existing light blonde highlighted color. This look was a major color conversion, requiring a mega-dose of Redken strengthening and protective treatments, which were used to maintain long lasting richness.  The final result was produced by using a combination of different red and copper tones.  The foundation color is a rich (level 5) copper with a sprinkle of (level 6) lighter copper orange, and peaking out from underneath a deep (level 4) red brown. 

To create this elegant look, the team started with her color, which was taken to a dark cool brown with a slight violet cast. A demi-permanent haircolor was used to create extreme shine and rich tones, all while allowing the hair to remain damage free.

A perfect solution for longer hair, Kari Hoyt of Alexander’s Grand Salon and Spa in Anaheim Hills, California created a disconnected layered cut for Yesenia. For her color she applied a neutral champagne base with subtle warmth in the highlights.

To style, Alterna Straightening Balm and Texturizing Glaze were layered into the hair while damp. After blow-drying with a round brush, Kari smoothed back over the surface with Caviar Rapid Repair then used Shine and Define to piece out and add definition,

This modern A-line bob has been layered back through for texture and movement. A side swept bang nicely frames her face while the color features delicate golden hues with slightly darker lowlights for depth through a medium blonde base and balayage highlights to accent. 

Kathy Reddel of Alexander's Grand Salon and Spa in Anaheim Hills, California gave Connie a short, point cut bob shape with an A-line overlay. The back section was elevated and cut to free the ends.  Weight was then removed from the back and ends with texturizing shears to allow for a softer edge. Her natural (level 4) medium brown color was accented using slightly darker brown lowlights, along with (level 6) red and (level 12) blonde highlights.

This mid length razor cut by David Bickle of The David Salon features an elevated bob foundation with highly texturized layering. The warm copper brown hue accents her pale skin and blue eyes.  To style, the wet hair is applied with mousse and detangler, then is blow-dried with a diffuser until most of the moisture is removed. A round brush is then used to create more volume and roundness. Once dry a volumizing spray is applied before dry setting the hair on large rollers.

Lara had a one-length style that hit her shoulders with solid dark brown almost black color. Stylist Pon Saradeth took her color to a dark but warm brown with copper and medium auburn panels of color, then added subtle panels of light copper.

For the cut the length was taken up to her chin for a classic bob shape. The back is slightly graduated to hug the head and the front and heavy fringe is highly shattered for a texturized feel.

Kelsey’s length was just below her chin with a medium brown color. For a fresh new look, stylist and salon owner Pon Saradeth took her color to a shimmery series of highly dimensional and golden blondes.

Her new shorter length razor cut features highly texturized layers with a softly shattered perimeter. To style Pon International Sealant leave in conditioner and Pon Soon styling cream are applied all over before blow-drying with a Denman brush. Once completely dry, Fringe is sprayed all over then the ends are flat ironed lightly and pieced with Pon Du soy paste.

Gabby's style had grown out past her shoulders and her color was a solid one-tone brown. To spice things up, stylist Kali Hana of Pon International created a mid length style that was razor cut with lots of layers for "big-time" texture. Kali took the color to a rich golden brown base with copper panels placed underneath with chunks through the bang or fringe area for added dimension.